Photo-Encaustic_The Holocaust, Genocide, Politics & Race
As described in the previous gallery, encaustic medium can enhance a photograph’s luminosity. The same wax can also be used to create a work with, for example, multiple layers, each visible to a certain degree. Or you can shape the wax to blur and/or highlight certain features and image characteristics, helping to direct your attention/focus.
You can also use the medium to create a more accurate representation of your own thoughts about a given scene when the shot was taken. For example, in one photo, Looking Out, you’re in a room in Auschwitz, and a window provides a glimpse of the outside world. While no one can experience the horror of those who were imprisoned in the concentration camp, encaustic medium makes it possible to better express your own thoughts and feelings. In this instance, you can use textures & ripped features frozen in wax--and your flat 2D photo becomes a physical representation of your grief for the fallen. The same holds true for Yevgeny Yevtushenko’s Babi Yar; a political protest and memorial poem for the 1941 Babi Yar massacre.
Given the nature of the images in this gallery, I primarily use wax and photo overlays as tools rather than adding color to a photo or using other such techniques. For myself, it seems more appropriate to go this route and to let the photos, and the wax, speak for themselves.
Please note: These works are part of an ongoing project (late 2019 to the present time). A number of the photo-encaustic pieces also draw on my photos that you'll see in other galleries.
Read MoreYou can also use the medium to create a more accurate representation of your own thoughts about a given scene when the shot was taken. For example, in one photo, Looking Out, you’re in a room in Auschwitz, and a window provides a glimpse of the outside world. While no one can experience the horror of those who were imprisoned in the concentration camp, encaustic medium makes it possible to better express your own thoughts and feelings. In this instance, you can use textures & ripped features frozen in wax--and your flat 2D photo becomes a physical representation of your grief for the fallen. The same holds true for Yevgeny Yevtushenko’s Babi Yar; a political protest and memorial poem for the 1941 Babi Yar massacre.
Given the nature of the images in this gallery, I primarily use wax and photo overlays as tools rather than adding color to a photo or using other such techniques. For myself, it seems more appropriate to go this route and to let the photos, and the wax, speak for themselves.
Please note: These works are part of an ongoing project (late 2019 to the present time). A number of the photo-encaustic pieces also draw on my photos that you'll see in other galleries.
A compilation of photos from the Dakota Access pipeline protest. The overlaid text is a page of a treaty that originally granted Native Americans the land upon which the pipeline was routed. This construction took place over 100 years later--without tribal permissions. The copy of the Treaty, used in the overlay, is from the national archives; https://www.archives.gov/files/education/lessons/sioux-treaty/images/sioux-treaty-1.jpg